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No consensus yet.
All Critics (15)
| Fresh (14)
| Rotten (1)
| DVD (2)
In only her third silver-screen appearance, Joanne Woodward found gold -- Oscar gold -- via her Academy Award-winning performance in this psychological drama.
Woodward is solid and the entire film turns on her performance, which gets deeper and more convincing as the story opens up a bit.
...turns a psychological condition into a parlor trick.
An early, too simplistic Hollywood melodrama about split personality, well acted by Joanne Woodward in an Oscar-winning performance.
The power of the film as a whole has been lessened with time...
watch the film for Woodward. She never reached heights like this before or since
A introdução feita por Cooke indica a insegurança dos produtores com relação ao roteiro - e, se não fosse pela performance de Woodward, o filme seria um grande embaraço.
It once seemed daring, now it seems simplistic.
It's not the fault of anyone in 1957 that their serious take on a serious malady hasn't aged well, but it simply hasn't. Done better since then (the recent Split comes to mind) this picture not only suffers in comparison to recent works but very nearly comes off as a comedy unintentionally. The actors do the best they can with material that has been watered down for the small town tastes of 50's audiences, best represented in the work by the underappreciated David Wayne.
Guess the shifting of personalities were simplified for a laymen to understand it easily. While I liked the performances, I found it difficult to swallow the stuff and be mesmerized by its taste. I found this in the suggestion box for Sybil, and find it perfectly fit in there, be it for MPD or for the genuineness of their story. Cooke starts it with an ironic note of "This is a true story" comment, and was good as a narrator. The movie hasn't dated well, and I'd have liked Hitchcock to have treat this extraordinary (as for its time) story.
This film is the portrait of a woman with multiple personality disorder.
I think Ken Hanke of Mountain Xpress best summarizes my opinion of this film: "It once seemed daring[;] now it seems simplistic." At the time, 1957, this film probably portrayed a little-known condition with little-known Freudian treatment, so that the popular audience had to be assured of the subject's verisimilitude, hence the framing narrator vouching for the film's accuracy to a point that the narrator "doth protest too much methinks." But now, Eve's condition is portrayed more like Thing from another World with magical and threatening music toning in every time one of Eve's personalities appears. It becomes heavy-handed, and for an audience that has seen Raising Cain, among all the other films about multiple personalities, it's trite.
That said, Joanne Woodward is fantastic, fully creating each personality and delivering a performance that of the "they don't make 'em like that any more" variety. I also liked the film's feminist overtones. Ralph is an appropriate villain, and making him the villain, the film impugns patriarchal culture.
The story's construction is also faulty in parts. There's no need for Woodward's song, and who the hell is Earl? He suddenly appears like the deus ex machina he is, and we have no reason to think of him as a worthy goal.
Overall, The Three Faces of Eve is a film to see because it's a classic, but unlike most good classics, it has been imitated and refined to the point that it lost its originality and spark.
This drama is brilliantly fantastic, I loved it. The actors are great, the story is intriguing, and it's based on a true story, what else could you ask for in a drama?
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