The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It's filled with lively, soulful musical performances that keeps you mostly compelled, but it eventually becomes somewhat dull and lacks enough profound insights, which ultimately leaves you feeling underwhelmed.
The film fails as a personal diary due to Fleck's unflappable aloofness, and the performance footage is rendered unsatisfying by frequent interjections of expository material or cutaways to seaside B-roll that seems photographed for tourist brochures.
If Fleck weren't such a gracious soul chasing the spirit of Sankofa, this could have been an exercise in exploitation of Graceland-ian proportions. But that's hardly the case on his magical musical mystery tour.
Fleck is an ideal protagonist for a film about the adhesive power of music and inadequacy of speech. Even as the plot sags and he grasps clumsily for words, his fingers on the strings are almost momentum enough.