Tower Block (2012)

Tower Block (2012)




Critic Consensus: No consensus yet.

Tower Block Photos

Movie Info

When Jimmy is brutally murdered by two hooded figures, Becky, Kurtis, Neville and the other residents of the Serenity House tower block are witnesses to the killing but, fearing retribution, are too scared to give detectives any information and the police investigation is going nowhere. One year later, someone has decided to take justice into their own hands. Picked off one by one, the tenants of Serenity House are under threat from a mystery sniper who has set deadly traps throughout the building. Unsure of why they have been targeted, the group undertake daring attempts to escape the building.
Mystery & Suspense
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Written By:
In Theaters:
Shout! Factory

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Critic Reviews for Tower Block

All Critics (16)

Though suspension of disbelief is a pre-requisite, [this] is a rather gripping thriller...

Full Review… | August 17, 2013
Cinema Crazed

It is an expertly crafted thriller with a mastery of tension-building techniques.

Full Review… | July 10, 2013
Aisle Seat

Thanks to the muddled plot motivations Tower Block really struggles in the final third.

Full Review… | September 30, 2012
Fan The Fire

Gritty and claustrophobic, this British horror-thriller holds our interest with well-played characters rather than the wobbly plotting.

Full Review… | September 24, 2012

Contains some effective jolts and engaging characters. But after setting up the premise, it doesn't really have anywhere to go. Kind of like the characters themselves

Full Review… | September 24, 2012
Shadows on the Wall

The film is efficiently made and more realist than some of its ilk, in that the desperate inhabitants seem credible. What it lacks is directorial flair.

Full Review… | September 20, 2012
London Evening Standard

Audience Reviews for Tower Block


A decent premise is let down by a terrible script, dour colour scheme and some shockingly bad acting (even the usually fantastic Sheridan Smith is a little clunky). Think Attack The Block without the humour, pathos, technical skill and well chosen soundtrack.

Daniel Parsons
Daniel Parsons

Super Reviewer


A decent very low budget UK film, featuring a few well known faces to UK TV audiences. The story is very basic with a group of residents held captive in a Tower block by a sniper. It has a few neat touches and surprises but is rather too predictable and some of the acting isn't great. Catch it on TV if you fancy a change from the normal run of the mill stuff.

Dean King
Dean King

Super Reviewer


The biggest influence on the current crop of low budget film-makers, particularly those from Britain and France, seems to be John Carpenter. This should be a positive but what few of them realize is that it takes more than a synth score and a few bad-ass characters to emulate the thrills of his movies. "Tower Block" is a riff on "Assault on Precinct 13" but where Carpenter's film had a police station about to be shut down which found itself under siege from an L.A gang, here it's a London tower block which is on the verge of being demolished. The last remaining residents, conveniently for the plot, are those residing on the top floor. The film kicks off with a teenage boy beaten to death by two thugs in the hallway of the top floor. Smith tries to help but receives a beating for her troubles and when the police ask for witnesses she, along with the other residents, deny any knowledge to keep themselves safe. We then cut to three months later and the residents wake to find a sniper has them pinned down from an adjacent building. From here the limits of credibility are stretched. Somehow the sniper has found the time, in just a few hours, to rig the building with booby traps and, of course, knock out cell-phone coverage. The tenants come up with various plans to escape their predicament but never think of the more obvious ideas like writing a message on a bedsheet and hanging it from a window. They consistently talk about how nobody will ever find them as though they were on a remote island in the Pacific rather than in the middle of the largest city in Europe. Along the way we get several twists and turns resulting in an awkwardly handled final reveal of the sniper's identity. Like most British films, the movie's strongest point is it's performances. O'Connell is particularly enjoyable as a chav version of Precinct 13's Napoleon Wilson. The central idea had potential but it seems co-directors Nunn and Thompson lack the ingenuity to pull it off. If Carpenter's film is a smooth ride in an elevator, this is a tough slog up the stairs. Take the lift.

The Movie Waffler
The Movie Waffler

Super Reviewer

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