The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Too much action brings the movie to a dead standstill. Why don't directors understand that? Why don't they know that wall-to-wall action makes a movie less interesting -- less like drama, more like a repetitive video game?
While the ensemble player who gained notice in Guy Ritchie's Lock, Stock and Two Smoking Barrels and Snatch has the bod, he's unlikely to become a household name on the basis of his first starring vehicle.
This jittery junk is palatable in some doses but for the most part the adrenaline surge teeters off to the point that The Transporter in theory is just another bombastic excuse for targeting the testosterone-driven masses with its showy banality.
Mais uma vez, Luc Besson (que aqui exerce as funções de produtor e roteirista) ignora a narrativa em prol da ação inconseqüente (e inócua, já que ninguém sequer sangra). O que aconteceu ao responsável pelo ótimo O Profissional?