The Triumph of Love2002
The Triumph of Love (2002)
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Critic Reviews for The Triumph of Love
I was periodically put off by a certain self-consciousness of delivery.
The characters in Triumph of Love are trifles, so that the farcical situation, which depends on the audience buying quick changes of heart -- like falling in love in an instant -- has no resonance.
In short, a film dependent on deception relies on the Clark Kent school of disguise, and it doesn't work.
It could have been something special, but two things drag it down to mediocrity -- director Clare Peploe's misunderstanding of Marivaux's rhythms, and Mira Sorvino's limitations as a classical actress.
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