The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Where Stiller the actor seems outmatched by the more expressive talents on display, Stiller the co-writer and director contributes a lively, layered comedy packed with cheap but hilarious goofs on Hollywood
This is Stiller's Hellzapoppin' Apocalypse Now -- the ultimate fighting machine of comedies-about-the-making-of-movies. It's raunchy, outspoken -- and also a smart and agile dissection of art, fame, and the chutzpah of big-budget productions.
Tropic Thunder is ridiculous and deeply enjoyable, but it also flashes a mercilessly polished mirror at the "prestige" products that the movie business so glibly feeds us in order to reflect glory back on itself.
Though it certainly has a plot, Tropic Thunder is best approached as a series of skits stretched out to feature length, a film easier to appreciate for its clever parts than for any kind of coherent whole.
Think of all the ways you can hurt yourself laughing, as in fall down, split your sides, bust a gut, blow your mind. You get it all in Tropic Thunder, a knockout of a comedy that keeps you laughing constantly.
Stiller, Black and Jackson are all fine. Downey is great -- no surprise. Jay Baruchel, as a newcomer, holds the strained plot threads together, playing the only actor not so narcissistic that he can't see what's going on around him.