The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The Truman Show finds a near-miraculous balance of humor and feeling in the keen intelligence of the script by Andrew Niccol and the prodigal inventiveness of Dead Poets Society director Peter Weir at his very best.
The Truman Show will probably be the most thought-provoking "big" movie to come out this summer, and that says a whole lot more about other movies than it does about this one. You should, however, see it for Carrey's newly unveiled charms.
As inventive and creative as Weir's staging is, The Truman Show wouldn't work without credible Truman. And Carrey carries off the tricky role with a chipperness that belies a deep-seeded longing for more in life than surface perfection.
The Truman Show is a provocative, daring drama, and Carrey, heretofore the Silly Putty-limbed star of such lowbrow joy buzzers as Dumb and Dumber and Liar Liar, pulls off the movie's tricky leading role with aplomb.
The Truman Show is a movie and the name of a television show within the movie, both of which star Jim Carrey. This tidy little metaphysic is superbly maintained throughout Peter Weir's flawlessly executed film.
The important thing is that Carrey and the filmmakers have taken pains to give Truman that soul -- which, in itself, provides a kind of depth. In any case, it gets you to care about how it's going to end.
The movie might have been a soulless exercise without [Carrey]. With him, it has an authentic tremulousness, and also a dread, as if Pinocchio needed to take on Gepetto and Jiminy Crickett to become a real boy.