Tuesday, After Christmas (2011) - Rotten Tomatoes

Tuesday, After Christmas (2011)

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Movie Info

The Romanian New Wave of the past decade has yielded such internationally acclaimed gems as 4 Months, 3 Weeks and 2 Days, The Death of Mr. Lazarescu and 12:08 East of Bucharest. Add to them Tuesday, After Christmas, an elegant, emotionally resonant drama of a middle-class couple whose 10-year marriage is rocked by the husband's illicit affair with their daughter's sexy dentist. In many respects it's an oft-told tale: Paul must choose between the easy rapport and stability of his family life and the uncertainty and excitement of a relationship with a much younger woman. In scorchingly intense long takes, the power dynamics among these three are unpredictable and, in the end, devastating. The fact that the two leads are actually a married couple adds to the verisimilitude. --(c) Lorber

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Cast

Mimi Branescu
as Paul Hanganu
Mirela Oprisor
as Adriana Hanganu
Sasa Paul-Szel
as Mara Hanganu
Dana Dembinski
as Raluca's Mother
Adriana Vancica
as Murcea Dumbraveanu
Ioana Blaj
as Narcisa
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Critic Reviews for Tuesday, After Christmas

All Critics (22) | Top Critics (11)

"Tuesday, After Christmas" goes down pretty smooth, with a sneaky-powerful aftertaste.

May 28, 2011
Salon.com
Top Critic

The latest bloom from the flourishing garden that is Romanian cinema, Radu Muntean's Tuesday, After Christmas chronicles the emotional fallout from a classic love triangle, but it unfolds with the agonizing tension of a suspense film.

May 27, 2011 | Full Review…
NPR
Top Critic

Like an alternate-universe Woody Allen film, in which real people wrestle with what their hearts want despite the hurt it causes everyone, including themselves.

May 27, 2011 | Rating: 4/5 | Full Review…
New York Daily News
Top Critic

More about well-observed moments of everyday life than it is about heightened melodrama.

May 26, 2011 | Rating: A- | Full Review…
AV Club
Top Critic

Muntean has pulled off the near-impossible, turning each scene (captured in capacious long takes) into arias of generosity for his actors.

May 25, 2011 | Full Review…
Time Out
Top Critic

Marital infidelity is hardly a new cinematic topic. But this film is far from cliched, thanks to the literate script and a trio of sensitive performances...

May 25, 2011 | Rating: 3/4 | Full Review…
New York Post
Top Critic

Audience Reviews for Tuesday, After Christmas

½

An engaging drama that gives us the impression that the excellent actors are improvising in the many long takes, so natural and unaffected they seem in their roles. But this Romanian film could have opted for close-ups in its key scenes to enhance the dramatic intensity.

Carlos Magalhães
Carlos Magalhães

Super Reviewer

½

To start, "Tuesday, After Christmas" has certain things in common with other Romanian films that caused the Romanian New Wave to implode, taking half of Hungary with it, such as epic and talky static scenes. While this movie does not take care to accent the consequential scenes over the less so(yes, we get it already that the movie takes place near the Christmas holidays), it still does have a stunning opening of Paul(Mimi Branescu), a banker, and his younger mistress Raluca(Maria Popistasu), a dental hygienist, frolicking in bed together and eventually a devastating climactic scene. In between is a perceptive behavorial study into how people act when they are around different people. Paul is at his most relaxed when he is around Raluca, maybe because he realizes how lucky he is that a beautiful woman is paying attention to him, considering his being middle-aged and overweight. Otherwise, they have to be careful to not acknowledge each other when he and his wife Adriana(Mirela Oprisor) bring in their daughter to have braces installed. For the record, Adriana and Paul simply share that familiar manner of two people who have been together for a long time.

Walter M.
Walter M.

Super Reviewer

½

A married man finds himself torn between his young lover and his wife of ten years and finds he must choose which direction he wants his life to proceed. Complicating matters is the child he and his wife are raising. The acting was quite good, the cinematography complemented the story, and the opening scene in particular was very, very sensual. The emotions were genuine and the motivations were fairly clear. But maybe it was the bleak nature of the story and that we pick up his affair in midstream and never get a clear picture of how it began that keeps this viewer from rating it higher. Good, solid film but one that proved lacking in some essential ingredient in the final analysis.

Mark Abell
Mark Abell

Super Reviewer

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