The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
There's neither glamour nor its absence, neither cinematic references nor a repudiation of them, just a soap-opera story, told with a conventionally arty craft that has neither resonance nor significance.
Muntean's fourth feature is unrelentingly mundane, as if made with the sole purpose of draining the topic of adultery of any prurient interest, the kisses accompanied by smacking sounds to smother any erotic response.
Not every picture from a burgeoning film scene needs to be a classic, and this formerly-Communist country is proving to be fertile ground for quality cinema. Tuesday, After Christmas is a minor selection from a major movement.
Long takes with an often still camera call as little attention to Tudor Lucaciu's masterful lensing as possible, stripping down cinematic elements to their most basic and maintaining an observational stance without becoming fetishistic.
The latest bloom from the flourishing garden that is Romanian cinema, Radu Muntean's Tuesday, After Christmas chronicles the emotional fallout from a classic love triangle, but it unfolds with the agonizing tension of a suspense film.