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Critic Reviews for Tulpa
In revisiting not just giallo, but also his own film, Zampaglione has created a product of compromise, caught, like its heroine, in a state of intermediacy. For Tulpa is neither uproarious spoof... nor artfully transcendent elevation of the genre...
either irony is the film's true killer, lurking in the shadows and hacking its way through the film's generic giallo form, with messy results; or perhaps Tulpa is simply, unironically, an awful, awful film.
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