The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Very little is explicit. The audience is left to infer much from spotty information, and yet a full and specific picture emerges. We are never in doubt of the truth of the characters and the absolute solidity of the world being depicted.
While Gray shares Leonard's love of photographing Brighton Beach street life and storefronts, and does so with great sensitivity and skill, this is such a worn-out cinematic setting that it has the effect of someone who's forever showing you baby photos.
A film of unusual perception, played at perfect pitch by Phoenix, Shaw, Paltrow and the other actors. It is calm and mature. It understands these characters. It doesn't juggle them for melodrama, but looks inside.
You have to watch it with different brain muscles than you're used to using, because the film has no frills or hooks, no visible 'arcs,' nothing to grab on to but the fragile humanity of the people on screen.
Two Lovers has roots in pure soap opera, but its gentle pacing and delicate performances lift it blithely above the dangers of parody as it tells the story of two tortured misfits groping in the dark for human contact.
The acting is all first-rate, and Mr. Gray and his cinematographer, Joaquín Baca-Asay, have captured their locale in its most somber stages, as if to emphasize the essential sadness of the two love stories, and the chill they induce in the viewer.