Tyler Perry's Good Deeds - Movie Reviews - Rotten Tomatoes

Tyler Perry's Good Deeds Reviews

February 26, 2012
A ridiculously redemptive finale negates almost all of the preceding dramatic tension and resurrects a cloying Richard Marx chestnut to boot.
Full Review | Original Score: 2/5
February 25, 2012
Whose life, Wesley asks in the movie's narration, is he living? Judging from all the sterile office and apartment space and his mile-long face, I'd say Bruce Willis's in "The Sixth Sense.''
Read More | Original Score: 1.5/4
February 24, 2012
There aren't a lot of laughs in "Good Deeds," and it could have used more of them.
Full Review | Original Score: 2/5
February 24, 2012
An otherwise unremarkable pic that takes what feels like a very long time to unwind a drearily predictable storyline.
February 24, 2012
Good Deeds honors goodness, which isn't at all a bad thing, and it's not without moments of genuine feeling. But by the film's end, after watching a seemingly infinite number of dour close-ups of sober self-evaluation, I felt bludgeoned.
Full Review | Original Score: 2/5
February 24, 2012
Good Deeds, with its Frank Capra-gone-Good Will Hunting title, is lucky to have Thandie Newton, easily the most gifted actress ever to have starred in a Tyler Perry movie.
Full Review | Original Score: B-
February 24, 2012
Far more interesting in the context of his filmography than it is to actually watch.
February 24, 2012
Every Perry movie has its highs and lows. This time, the highs are a little higher, and the lows not quite so low.
Full Review | Original Score: 2/5
Top Critic
February 24, 2012
By Perry's standards, it's a high-toned production, which means it doesn't look as if were shot during downtime on a soap-opera set, but it's still as blurry as a fifth-generation copy.
Full Review | Original Score: C
February 24, 2012
Where's Madea when you need her?
February 24, 2012
Good Deeds is more proof that Perry is a crude dramatist.
Full Review | Original Score: 2/4
February 23, 2012
A melodramatic slog riddled with laughable dialogue that wouldn't hold a made-for-TV-movie audience past the first commercial break.
Full Review | Original Score: 0.5/4