The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Greengrass takes pains to keep events believable and relatively unrhetorical, rejecting entertainment for the sake of sober reflection, though one has to ask how edifying this is apart from its reduction of the standard myths.
United 93 might be an insular response to a global tragedy, but -- taken on its own, limited terms -- it is powerful and sincere, giving reign to pity and fear without indulging jingoism or sentimentality. For that at least it deserves applause.
This limitation in source material has had a peculiar effect on the script. Never is there a moment of repulsive sentimentality or exploitation, but neither is Greengrass able to realize an ultimate purpose.
There's no way to watch United 93, Paul Greengrass' heartbreaking, pulse-pounding drama about the lone hijacked commercial airliner that failed to reach its target on Sept. 11, 2001, and not anticipate the dreadful outcome.
I've never had a more excruciating moviegoing experience in my life, and as brilliantly crafted -- and as adamantly unexploitive -- as the picture is, it still leaves you wondering why it was made in the first place.
United 93 is a shattering, yet effective tribute to men and women who, when faced with unimaginable terror and all-but-certain death, dared to resist their fate using whatever they could get their hands on.
Like most memorials, it is respectful, premised on competing obligations to the dead and the living, and eager to stress that the deaths were not in vain. It not only tells us we should never forget but also illustrates how we should remember.