The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Although first-time director Christina Clausen presents this era of bad art, bad music and boring celebrities without judging it, we can't help but feel we are witnessing the last party in the mansion of pop art before its imminent collapse.
As directed by Rome-based Christina Clausen, the film is loving but shallow. We learn a lot about minor details of Haring's life (his dad helped him deliver newspapers in Kutztown) but little about what makes his art so popular.
Utilizing copious film footage of her puckish subject and new interviews with Haring's contemporaries, gallerists and mentors, director Christina Clausen makes her fascinating movie as big-hearted, city-centric and energetic as its subject.
Equally a portrait of the artist and a portrait of a decade, this celebratory documentary makes the short, accelerated life of Keith Haring (1958-1990) inseparable from that short, accelerated period we know as '80s New York.
Christina Clausen's documentary is a briskly paced, affectionate tribute which makes full use of interviews with Haring intimates (although I could have done without that introductory artsy zeroing in on the interviewees' eyeballs).