An Unmarried Woman (1978)
An Unmarried Woman (1978)
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Critic Reviews for An Unmarried Woman
The action unfolds with a documentary-style geographical specificity, offering a time capsule of Manhattan locations, uptown and downtown alike.
There are scenes in An Unmarried Woman so well written and acted that our laughter is unsettling, the laughter of exact recognition.
Jill Clayburgh received a well-deserved Oscar nomination for playing an ordinary woman who goes through divorce and identity crisis in this quintessential New York movie that was championed by the feminist movement in the 1970s.
Audience Reviews for An Unmarried Woman
Paul Mazursky's poignant, observant and moving drama is his magnum opus as a director and writer. The film's greatest asset is the bravura turn by the late Jill Clayburgh who delivers the performance of her career, that earned her a richly deserved Academy Award nomination for Best Actress. Ms. Clayburgh plays Erica, a New York City, Upper East Side woman who seems to be doing all the right things until the day her husband of 16 years, played superbly by Michael Murphy, announces he's leaving her for another younger woman. Ms. Clayburgh's realignment of her priorities is fascinating to watch, and she slowly becomes an independent, strong, proficient woman who discovers her new sexual freedom. Brilliant direction by the late Paul Mazursky who also wrote the intelligent Academy Award nominated original screenplay with skillful attention to character details. Exceptional supporting performances by Alan Bates, Cliff Gorman, Patricia Quinn, Kelly Bishop, Lisa Lucas, Linda Miller, and Andrew Duncan. Nominated for 3 Academy Awards including Best Picture. Highly Recommended.
The tale of the independent divorced woman had its beginnings in this Paul Mazursky helmed film; about Erica (Clayburgh), a wronged woman who begins living a new life when her scuzzy husband cheats on her with a younger woman. The narrative begins with their happy marriage, made better by her friend's jealousy, eventually derailed by her husband's confession. Erica is a proud, uninhibited, and lovable character, who finds herself thrust back into the world of dating after nearly twenty years, and does so with the vibrancy of a woman much younger. Through a high amount of self-esteem, confidence, and a good therapist, Erica dates once again, and finds independence, something a woman still barely earned in the late seventies. This film comes from a fresh perspective, and was the first instance of a film where divorce became a woman's new growth experience. This was the inspiration behind many contemporary films that deal with issue of starting anew, and this film does it best by showing a character who is harmonious to the upper class life, and throws it away for her own freedom's sake.
A bit dated but one of the first attempts to deal with the "modern" woman who often find themselves divorced and open to "temptation" Strong performances but a dated topic.
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