The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Dunst, a veteran of the famous upside-down Spider-Man kiss, may be used to this, but viewers of the fantasy romance Upside Down may have the dizzy feeling of blood rushing to their heads. What is going on here and, furthermore, why?
There is little consistency. As a creator, you cannot tell us one thing and have characters do another without consequence. Upside Down is plagued with those problems, at least in small ways. It is frustrating for the viewer.
What begins as a grand concept full of unusual possibilities quickly succumbs to a frustrating mixture of pretentiousness and torpor in this threadbare narrative that unfolds in perpetual pursuit of memorable images over narrative sense.
Simply put, this is one of the craziest films to come along in a while and I can confidently say that anyone who sees it will either hail it is some kind of crackpot masterpiece or dismiss it as one of the silliest damn things they've ever seen.