The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Simply put, this is one of the craziest films to come along in a while and I can confidently say that anyone who sees it will either hail it is some kind of crackpot masterpiece or dismiss it as one of the silliest damn things they've ever seen.
The novelty of the idea, which suggests a less elegant offshoot of M. C. Escher drawings, quickly wears thin. The production design is too busy, and the film's desaturated palette is forbiddingly austere.
Moment for moment, Upside Down is the most embarrassing, hilarious, obliviously stupid movie since M. Night Shyamalan's The Happening, and its constant pursuit of a striking image over any other consideration undermines it at every turn.