Urban Legends: Final Cut Reviews

Page 1 of 2
March 10, 2007
January 8, 2007
This horror-and-suspense vehicle, which dabbles pointlessly in reflexivity, doesn't do much with its pseudosavvy characters.
June 24, 2006
This horror sequel opens with an out of control passenger plane, then plummets to intellectual ground zero.
July 21, 2005
What ensues is painfully horrific and reprehensible as entertainment.
April 25, 2003
Impossible to follow.
April 16, 2001
This new offering keeps the mediocrity alive as it unleashes yet more unsavoury nonsense.
September 22, 2000
January 1, 2000
A bad remake of Scream 3.
January 1, 2000
How Jennifer Morrison and Matthew Davis keep straight faces through it all is beyond me.
January 1, 2000
So stupid and sloppy, it will offend the intelligence of anyone whose age surpasses his shoe size.
January 1, 2000
Mr. Ottman doesn't have the firm grasp of tone necessary to make his deliberate ambiguities seem other than simple confusion.
January 1, 2000
It's a decidedly postmodern, self-referential sort of thing. And it's still not very good.
January 1, 2000
It delivers bald-faced variations on devices that were originally deployed, albeit with a redeeming glint of irony, in the Scream films and in Scary Movie.
January 1, 2000
It's several, uh, cuts below its predecessors, as well as the modest hit from 1998 it purports to be a sequel to.
January 1, 2000
It's predictable, gratuitous and just self-referential enough to believe itself hip and knowing.
January 1, 2000
It's about as funny as the Yellow Pages.
January 1, 2000
Schlock, but amusing schlock.
January 1, 2000
I don't know if you're tired of terrified girls racing through shadowy basements pursued by masked slashers while the soundtrack pulses with variations on the Halloween theme, but I am. Real tired.
January 1, 2000
Everything in the movie is ripped off from somewhere else.
January 1, 2000
For a movie set at a film school, Final Cut is pretty much a textbook case on how not to make a movie.
Page 1 of 2