The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Arguably the blandest of the burgeoning crop of big budget digitally animated films, Valiant aims to prove that the death of traditional animation has simply pushed lackluster screenplays into the digital realm.
Despite a handful of good aerial 'birdfight' sequences, 'Valiant' fails to get off the ground due to a by-numbers script and dodo-ugly character design that add up to less than one would expect from 'Shrek' producer John H. WilliamsJohn H. William.
Not only is the pacing less hyper, the humour less pop-cult savvy and the story almost creakily old-fashioned [than a Pixar production], it even looks like it was made in a cloudier climate: the dominant colours are muted blues and greys.
An unconscionably dreary and amateurish-looking thing, and the rote plot and annoyingly predictable script -- a compendium of bird puns, mostly -- don't work nearly hard enough to make up for the hammy awfulness of the images.
Too dependent on a knowledge of RAF-inspired cinematic derring-do like '633 Squadron' (or at least Hogan's Heroes) for the average tyke, yet too tepid for their taller counterparts, Valiant is ultimately one strange bird.