Mary Poppins Returns
Mission: Impossible - Fallout
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All Critics (4)
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Its tales are of comparable quality to those found in its predecessor, Tales from the Crypt.
Scream Factory has issued 'Vault' uncut in America for the first time, on Blu-ray; the transfer restores several gruesome visual punch lines, including one involving Glynis Johns, gap-toothed Terry Thomas, and a hammer.
The misanthropy of the Tales From The Crypt and Vault Of Horror movies is strangely enjoyable, because it comes packaged within some gleefully perverse ideas.
Baker failed to get any oomph out of it.
Otherwise known as the sequel to 'Tales from the Crypt' yet all the stories here bar one are from the 'Tales' comics. So it seems the 'Vault' comics short stories weren't good enough for a film?
Again the simple premise is the same, a group of people in an elevator are taken down to the basement of a high rise block in London. Because they are trapped each of them tell tales of their worst nightmares (as you would do). From here on we get another five short spooky tales of which all in my opinion are really quite good.
Up first is a basic plot involving a man going to a small village to kill his sister so he will get their recently deceased fathers estate. The village turns out to be a vampires nest and he is killed watched over by his sister whom he had just murdered. Second is merely about a pedantic man and his neat and tidy obsessions which drive his new wife so crazy she kills him.
Third sees a magician and his wife observing a young Indian woman perform a rope trick whilst in India. The young woman will not tell or sell the secret of the rope trick so the magician and his wife kill the young girl, but revenge is short coming. The fourth story is about two con men who set up an elaborate insurance scam. One of the men fakes his own death and is buried alive as part of the plan but the second con man double crosses him and leaves him for dead. Unusual circumstances see the buried man dug up but fate has a final trick in store for both of the men.
The final story shows us an artist who gains the power of voodoo in his brush hand whilst in Haiti. He then uses this power to enact revenge on some business men back in London who have lied and tricked him over the sale of his recent work.
Overall every story here is a really neat little creepy tale mixing revenge, ghoulish graves, magic and vampires, the perfect blend. Much better than the first 'Tales' anthology in my opinion, the stories are more fun and mysterious making you use your imagination. I especially liked the eerie death for the magicians wife in the Indian rope tale.
Again its an English film so we are treated to some more A class casting. This time you can see Tom Baker, Glynis Johns, Denholm Elliott, Terry Thomas and Curd Jürgens. There is no 'keeper' this time, although the comics had a keeper just like 'Tales', but the outlining premise of the wrap or frame story is the same, much like all horror anthology flicks.
This really is a much better set of stories than the first film. More in line with other good anthologies like 'Darkside' and 'Twilight Zone'. There is a tad more blood and gore shown is this film too, not in your face but some nice hints, of course don't go expecting brilliant visual effects.
This is the sequel to the original Tales from the Crypt movie. What was wrong with the people who made this? I'm guessing they only had one or two of the comics laying around. With such a wide selection of great stories, the selections here are pretty uninspired. Even the good ideas are often poorly executed, and it's lacking in good plot twists. The exception is "Drawn and Quartered". The final tale almost makes up for the rest of the movie.
No more then a sequal to the 1972 Movie Tales from the crypt. Some what enjoyable, unless you have watched present day Tales from the crypt. Another almost good Drive In Movie. 3 stars
I wanted to see a portmanteau movie... This one was successful in that each of the individual stories is well-paced, no matter how brief the length or scant the plot elements.
As for the framing device ... The characters' discussions inside The Vault felt eerie enough, since it was difficult to tell what anyone remembered about their real lives. The design of the overhead shots through the vault ceiling are a valiant attempt to modernize the gothic. But the rest of the cinematography consists of hack shots and quick gambits to jolt the audience -- like someone wearing a joy-buzzer and grabbing you by the wrist before you can shake hands.
"Bargain In Death" is not getting much praise in the comments here, but it has the most unique plot and the real (untelegraphed) surprise of the whole movie. Otherwise, "The Neat Job" makes spectacular use of the energy and precision of the two leads. In "Drawn & Quartered", Tom Baker's presence is scarier than any of the black magic. Also in that episode, the filmmakers try to outdo the gunman's POV from Hitchcock's Spellbound. Don't think there's enough room in that idea to surpass the original, which was done stylish and dreamlike and somewhat artificial, but granted, it was uncomfortable to have a quivering gun pointed at my face for what felt like 3 minutes. It's like the movie is saying, "Be scared or I'll blow your head off." -- Fine, fine, you're so desperate, you're definitely starting to freak me out.
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