The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Vicky Cristina Barcelona is so engaging so much of the time that it feels like a modest rejuvenation: evidence that a summer in Spain can do wonders for a writer-director who may not have outlived his prime.
He is a little like Eric Rohmer here. The actors are attractive, the city is magnificent, the love scenes don't get all sweaty, and everybody finishes the summer a little wiser and with a lifetime of memories. What more could you ask?
When it's over, and the two Americans at the heart of the story depart Barcelona in overlapping states of confusion, you're left with a tinge of melancholy that feels not plot-driven, not engineered, but like a slice of reasonably complicated life.
Allen has crafted a wry and thoughtful film about the peculiar stirrings of the heart, which is certainly his most accomplished piece of work since Match Point, and his funniest in the eight years since Small Time Crooks.
There was hope in 2005 that Woody Allen had re-discovered his groove with the release of Match Point. Since then, however, he has slipped back into the sinkhole of mediocrity that kept him from greatness throughout most of the '90s and '00s.