The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Writer/director/art director Margarethe von Trotta has made a film about a nun from the twelfth century that resonates today...a Renaissance woman in medieval times whose belief in her visions is tempered by her shrewdness in the political arena.
Although its claims about Hildegard's modernity and relevancy should be taken with a grain of salt, one readily imagines Vision attracting a cross-section of the curious, not limited to feminist cinephiles and true believers.
Sukowa makes Hildegard a likable and charismatic woman who risks a great deal to do good in an environment that leaves women little room for self-expression. Her intelligence and enthusiasm make her a proto-feminist force to be reckoned with.
Unafraid of her subject's complexity, von Trotta shows Bingen's weaknesses as part of her humanity, as in her attachment to novice Richardis von Stade, who rouses the other, narcissistic side of Bingen's will.
Vision is more immediate and immersive when dealing in the jealous attachments among sisters; when circumstance and politics tear Richardis from Hildegard, Sukowa's performance rears to towering heights of abjection.