The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It's a superb film in the classic style of screen storytelling, at once intimate and epic, possessed of lyrical beauty and suffused with that mixture of warmth, suffering and rueful humor so characteristic of Russian films.
It is clear fairly early in The Thief that the title character represents Stalin, and it's one of the strengths of the film that the symbolism never gets in the way of a convincing, heartbreaking story.
Beautifully photographed by Vladimir Klimov and utilizing Victor Petrov's strikingly authentic set to resemble a railway car of the 1950s, The Thief provides us with a broad sweep of Russian everymen as well as its principal performers.
As mentioned, the payoff to this isn't exactly surprising, but the scenes that precede it are very good, thanks to Chukhrai's suspenseful plotting and convincing dialogue, as well as the terrific cast.