Critic Consensus: Transgressive in the best possible way, Wadjda presents a startlingly assured new voice from a corner of the globe where cinema has been all but silenced.
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Critic Reviews for Wadjda
The most radical and cheering message of Wadjda is that a change isn't just possible, but inevitable.
"Wadjda" earns extra points just for being what it is. Who knew that, in a country that famously frowns on women driving cars, some are even allowed to make movies?
This delightful debut feature by a Saudi woman named Haifaa Al-Mansour uses a bicycle as a metaphor for freedom within a social circumference.
A sweet little film about the human spirit, about want and energy and determination against unfair odds.
In Saudi filmmaker Haifaa al-Mansour's winsome wonder Wadjda, a young girl's aspirations provide an intimate glimpse into the possibilities and limitations of a cloaked culture.
Audience Reviews for Wadjda
Wadjda is not only a surprising milestone for being the first film entirely shot in Saudi Arabia and made by a female director, but it is above all a marvelous cultural record that allows us to peek into this very unfamiliar and oppressive society in a most heartfelt and absorbing way.
The first film to be entirely filmed in Saudi Arabia, by a female director at that, Wadjda is a human story about the emotional burdens of life in the Middle East, and the problems that stem from being a female in that environment. It seems that the characters are written to be shown to an American audience, so they have seemingly quirky character traits; like Wadjda wears Chuck Taylors and her father plays video games. The story follows Wadjda and her friend, who she wants to race on a bicycle, though it's disgraceful for girls to ride a bike in her country. She tries to make the money to buy it by entering a contest to recite the Koran (Quran). The film also shows the struggles of women supporting their children single-handedly, and how life truly operates in Saudi Arabia, as well as showing a more empathetic portrayal of its native citizens. The story may be simple, but this is a groundbreaking and unprecedented film.
Writer-director Haifaa Al-Mansour does the impossible. She has produced a film in a country with no film industry to speak of. Add that she is female in a community where women are forbidden to publicly interact with unrelated men. Wadjda is fascinating because it does two things brilliantly. One, it offers a gripping narrative of a captivating character. Secondly it also serves as a document of Saudi society. The director even fashions a climactic Koran recital contest as an edge-of-your-seat nail-biter. We get an expert's view from the inside. The presentation of culture was a real eye opener for this critic. The strict moral codes might be described as oppressive, yet the milieu never reads that way. Joyful, effervescent and uplifting, this is about the triumph of the human spirit. How one rebellious little girl deals with her innocent desire to simply own a bike. Saudis can still watch movies via satellite, DVD and video in the privacy of their own homes. Perhaps one day they will be able to see this in a cinema. You however don't have that problem. Please exercise that right and see this film. fastfilmreviews.wordpress.com
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