Wait Until Dark (1967)
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Critic Reviews for Wait Until Dark
It has, in the form of Audrey Hepburn and Alan Arkin, two of the very best performances in the genre's history.
This superb drama filled with spell-binding tension has not lost an iota of its considerable impact, even 40 years after it was made. Audrey Hepburn is mesmerising as the blind woman whose quick thinking is more illuminating than the brightest of lights
Audrey Hepburn received her fifth (and last) Oscar nomination for effectively playing a blind woman in this well-executed thriller based on the Broadway smash hit; equally good are the villains, played by the young Alan Arkin and Richard Crenna.
Os furos óbvios do roteiro acabam sendo compensados pela direção tensa de Young, pela eficiente montagem e, principalmente, pelas atuações de todo o elenco (mas Hepburn e Arkin merecem destaque).
A classic and unforgettable thriller.
Audience Reviews for Wait Until Dark
A group of con artists try to get a doll, laden with drugs, from a blind who unknowingly received it. A wonderful and tense thriller, Wait Until Dark works on almost every level. Alan Arkin, who made a career out of playing charismatic but curmudgeonly goofs, is bone-chilling as the sadistic Roat, and Audrey Hepburn, classic and demure, is every bit the damsel in distress. The plot unfolds brilliantly, and the con artists' plan is both clever and mysterious. The climatic scene thrills in almost total darkness. I wish that the film had not shown us what is in the doll until the very end so that we can -- like Susy -- slowly discover the plot. Overall, this is classic thriller that stands the tests of time.
One of the darkest thrillers, and most innovative as well, this film is a classic suspense-thriller, verging into horror, without missing a beat. The aura of this film, or mis-en-scene, is always perfection, whether that be the bleak, underground set, the blank cinematography that captures the allure and horror of darkness, or the performances, all carried by actors who know their craft exceptionally well. The feeling of being trapped, or claustrophobic, permeates this film throughout, making you very uncomfortable and very aware of the stakes of the film. It's strange knowing the evil of the film, and the exposition, which makes the protagonist's plight that much more harrowing. The main heroine in the film is a recently blinded woman named Susie (Hepburn) who is left alone in her basement apartment by her husband to fight off several men who are looking for heroin in her apartment. The setup is so beautiful and horrific, and the way it is all explained in the first twenty minutes is encapsulating, strange since it simply involves several men talking to one another. The plot against Susie is extraordinary and yet so thrilling, because though they don't use blunt force against her, you know they could kill her in the next instant. Particularly scary is the performance from Alan Arkin as Harry Roate, described by many critics as one of the most terrifying and villainous performances onscreen. Arkin gets goofy once in a while, putting on disguises and trying to fool Susie, and that makes it a little cheesy, but otherwise this film feels perfectly thrilling from beginning to end. There's even an electrifying and heart stopping climax that will make any scaredy cat scream for their life. Just such a beautiful and shocking thriller, on so many levels.
This is a great example of economic filmmaking at some of its best. Based on a play, this is Terence Young's crackling Hitchcockian thriller about a blind housewife manced by a gang of thugs who want a heroin stuffed doll that they believe she has. Set primarily in a single location, and cranking the mise-en-scene up to the max, this is some tremendously gripping and entertaining stuff. I absolutely loved the use of sight and sound here, and how they really set up the mood, tone, and atmosphere quite brilliantly. This is one of those films where it could have easily been a no-frills straightforward thriller, but instead went the extra mile and delivered something special. Young provides some innovative direction, Mancini brigns a really nice score, and all the technical stuff is brilliant, but what helps seal the deal even more are the performances. Hepburn is marvelous as the tormented hosuewife, and playing her attackers are Richard Crenna, Jack Weston, and Alan Arkin, all of whom deliver the goods. Special mention needs to go to Arkin though since he wonderfully pulls off a Peter Sellers here (multiple characters, accents). All the villains are good, but Arkin is definitely the most chilling and evil. I really loved this movie. It's smart, intense, incredibly well made, and, even when watched during the middle of the day in plenty of light, still proves to be quite tense and spine tingling. Definitely check this one out.
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