The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
They will keep trying and trying until only the blackest of hearts are left un-moved. I guess I should hand in my organ donation card because I clearly don't have a heart judging from the dismissive reaction I had to this patently artificial film.
It's about as manipulative a film has Steven Spielberg has ever made - a movie that's been custom-designed from the ground up to play a sad harp solo on the heartstrings; a story cynically told to invoke as many tears as possible.
With the exception of a few lovely scenes, it's a hollow and bombastic piece of work, clobbering you over the head with its epic-ness when it's not cinematically yanking at your nosehairs in the hopes that you'll cry.
All the sumptuous pomp and sweep add up to little more than an inflated remake of Lassie Come Home, a step backwards from his mostly splendid mature films that feels closer to the labored and hollow Spielberg pastiche of Super 8.
It doesn't tarnish Spielberg's reputation as a virtuoso purveyor of four-square mainstream entertainment... but if you're making a film that feels like a surefire award-winner, then at the very least it needs to feel like it's worthy of those awards.