The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It becomes a film about her [Swinton] scattered mind. That produces wonders from Swinton, but it ignores the plea in the title. What about Kevin? Kevin deserves so much more attention-indeed, he deserves being played by Tilda Swinton.
The narrative strategy amounts to little more than film-school strenuousness, and in the end it can't conceal the movie's essential crudeness - its coarse, artless dialogue, blank character writing and intellectual vacuity.
When Ramsay bombards us with editing tricks and an excess of visual style, it feels like dazzle camouflage designed to cover up the fact that she ultimately doesn't seem to have much to say on the subject.
Swinton and Reilly make no sense as a couple, which is all of a piece with "We Need To Talk About Kevin,'' where everyone's motivations manage to seem simultaneously arbitrary and inevitable pretty much all the time.
Ms. Ramsay, with ruthless ingenuity, creates a deeper dread and a more acute feeling of anticipation by allowing us to think we know what is coming and then shocking us with the extent of our ignorance.
In her first movie since 2002's magnificent Morvern Callar, Ramsay continues her fascination with textures, at times reducing her lead character's world to impressionistic fragments: her hands, a wall, splashes of paint, et cetera.