The Weight of Water2001
The Weight of Water (2001)
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Critic Reviews for The Weight of Water
The boating scenes have a languid yet charged sexuality, and the performances remain vibrant and rock-solid to the end.
Artistically speaking, Bigelow's drama may be her most ambitous and personal film to date, a multi-layered (period and contemporary) psychological thriller that borrows from Bergman's masterpiece Persona; commercially, however, it's problematic.
The jarring jumps between disconnected stories and watered-down sensationalism make for a soggy experience.
The Weight of Water uses water as a metaphor for subconscious desire, but this leaky script barely stays afloat.
There are a few wrong notes, and the ending is too enigmatic for its own good, but for a studio production the film is uncommonly intelligent and uncompromising.
Audience Reviews for The Weight of Water
Either one of the two stories might have been engaging on their own, if they hadn't shown their hand from the very start. A disappointment to know this comes from Kathryn Bigelow.
I enjoyed the plots. It took a while to become comfortable with the dual stories.
Sarah Polley saves a predictable fable from drowning in Sean Penn's ham.
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