The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Were the World Mine gets by on sheer charm -- and on Gustafson's inventive direction, Kira Kelly's elegant cinematography and co-screenwriter Cory James Krueckeberg's whimsical production design, which works wonders on a limited budget.
A diverting Chicago-made export, director and co-writer Tom Gustafson's gay fantasia on Shakespearean themes is set in a socially stratified private school ruled by the rugby jocks but about to be sent into a tizzy thanks to the magic of Shakespeare.
When the film narrows its focus from big questions addressed through overly broad strokes and instead zooms in on one-on-one interactions and the emotional power of a well-made musical sequence, it taps into a winning sweetness and poignancy.
So sincere, so earnest in it's desire that everything work out for the best for everyone, that one cannot help but give in to its earnestness and decide to like it, if not love it, despite its few failings.
The material has been playfully updated, made into a parable of gay desire and wish fulfillment, but its significance remains the same, right down to Timothy's understanding that free will must ultimately be restored.