Ralph Breaks the Internet
Mission: Impossible - Fallout
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All Critics (18)
| Top Critics (7)
| Fresh (17)
| Rotten (1)
What could end up feeling like a by-the-numbers Discovery Channel docu is enlivened considerably by wry asides from the helmer.
The director made his name in the '70s with a series of intense fictional films, but he's also proven a fascinating documentarian.
[Herzog] knows instinctively when to linger and when it's time to turn away.
The assembly and eventual destruction of the Kalachakra sand mandala is the cycle around which the German director Werner Herzog's absorbing documentary is structured.
Taking a low-key approach, Herzog captures the pilgrims' intense fervor. The sight of 500,000 people united in prayer is mind-blowing.
Patient and fascinated, but never succumbing to abstraction.
Wheel of Time is flawed because Herzog attempts to illustrate faith through the exercise of faithfulness. He runs after the poetry of Buddhism and it eludes him.
Herzog clearly communicates an outsider-looking-in status in Wheel of Time.
Becalmed yet electrifying.
Wheel of Time lacks the intensity of many of Herzog's works, and the meditative nature of the monks is a strange match for the wildness of Herzog.
A respectful depiction of religious zealotry
Awe-inspiring for those of all faiths who sincerely hope that this world can be a peaceful one.
In the incisive documentary "Wheel of Time," Werner Herzog quotes the Dalai Lama as saying that he brought the Kalachakra initiation to the unlikely location of Graz, Austria, in order to expose other people to different religions which could conceivably lead to world peace. And that is exactly what Herzog is up to here by filming at the initiation at Bodh Gaya, India as he gets some very resplendent images, both behind the scenes and of the ceremonies, allowing those of who could never imagine traveling so far to one to see the momentous occasion. At the same time, many people far from off places do travel long and far to attend, including one monk whose journey of prostrations took 3 1/2 years and is from such a remote place that he requires two translators.(Herzog also talks to a former political prisoner who is given a place of honor at the proceedings.) Of additional interest and quite spectacular in itself is the yearly procession around Mount Kailash in western Tibet that is a holy site not only for Buddhists, but for Hindus, also.
From what I can glean after watching this documentary, a lot of Buddhism seems to be about giving and receiving. In exchange for the prostrations and holy journeys, the pilgrims receive karma.
Yet another excellent work, by Werner Herzog.
Herzog's greatest talent has always been in knowing when to stop the commentary and let the images speak for themselves. Here, he documents a rare and sacred Buddhist initiation and, as usual, creates a thoroughly compelling film.
Things like the sand-mandala need to be seen to be believed. There's a 3000 mile pilgrimage - stopping every two steps to lie down and pray. There's the man who was jailed for 13 years because he shouted "Free Tibet!". And then there's a chat with the Dalai Lama.
No matter what your beliefs, this is a fascinating documentary by a film-maker who knows how to do such an event justice.
Both Navajo culture and Buddhist culture uphold such a tradition, and the art of sandpainting is that strong connection between the two. The path for great peace and balance of all in the world.
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