The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Seeing Morrison blithely hang a lei over the neck of an obviously giddy young woman or watching as Manzarek patiently fields questions helps humanize a group of men all too often shrouded in the mists of legend.
Writer/director Tom DiCillo goes a bit overboard with his rhetoric, describing Morrison as "like an ancient shaman." Johnny Depp's measured narration brings DiCillo's often worshipful words back to earth.
In hindsight (and on paper) it all seems old hat, but with savvy editing of intense footage, DiCillo puts us there, onstage, backstage, in the studio, and we're as intoxicated as Morrison's audience. Almost.
DiCillo approaches this nonfiction project with the glazed eyes of a true fan. He has the participation of surviving band members and a lot of rare, mesmerizing footage at his disposal ... What he doesn't have is critical distance or anything new to say.
Director Tom DiCillo does his damnedest to make his documentary about The Doors unwatchable, but the subject matter is too compelling -- and the vintage footage too electrifying -- to be completely worthless.
Primo footage of recording sessions, concert perfs and various backstage trips is ubiquitous--and sadly squandered--amid wall-to-wall voiceover narration that is punishingly banal when not factually sketchy or flat-out false.