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All Critics (20)
| Top Critics (7)
| Fresh (16)
| Rotten (4)
By putting itself in sync with the rhythms of everyday life, it offers a reminder that the simplest forms of filmmaking can be the most satisfying.
Those with the patience to sit through all eighty-five minutes will uncover a sublime, unconventionally engrossing story.
There are LONG stretches of... well, real time.
Panahi has much the same kind of talent, a concern to make his film a kind of home for its characters, but he has not yet found [Kiarostami's] secret, how to find and hold the still point of the turning world.
We need to fall in love with Razieh to see the film properly, and we do.
Raziah takes everything at face value, forcing us to look again at people and situations we would immediately judge as good or bad -- reason enough to see this film.
In an era when ethnic hatred turns groups against each other, it is salutary to come across a film about universal qualities linking people from different cultures.
[Mohammadkhani] has no screen presence and more over was about as much fun to listen to as someone scraping their fingers down a blackboard.
Explores childhood on its own terms, with great respect and an unerring sense of truth.
Memorably simple, memorably resonant.
Simple yet appealing movie from Iran's burgeoning film industry.
The brilliance of the film, is in its simplicity.
It was brilliant, specially the simplicity of the movie, It is about a girl who sets out to buy a goldfish, but things happen on the way.
This is a very slow paced movie. The plot is thin in terms and it frustrated me in the beginning with distractive style. However it is quite funny on the surface.
There are no approved quotes yet for this movie.
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