The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
James Ivory has cast Britain's acting aristocracy to play post-Revolution Russian aristocracy, which brings much gravitas and many subtle performance highs to this drawn out story set in 1936/7 Shanghai.
Though [Merchant-Ivory] hadn't made a first-rate film since The Remains of the Day in 1993, there was always a chance they'd hit one last pitch out of the park. The White Countess, their final pairing, is just a bloop single.
The final collaboration between Ismail Merchant and James Ivory, The White Countess, isn't their absolute best effort, but as swan songs go, it's still a sight more auspicious than the last-ever Simpson-Bruckheimer picture.