White Irish Drinkers (2011)
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as Jimmy Cheeks
as Little Brian
as Little Danny
Critic Reviews for White Irish Drinkers
Every kitchen-sink dramatic cliché is trotted out in John Gray's Brooklyn period piece.
Despite the cliches that push every scene forward, there's an unexpected appeal to John Gray's modest drama, emanating from its center.
The basic outline of the plot, built around a promised local concert by the Rolling Stones - well, if you don't know where that story is headed, you haven't seen as many movies as I think you have.
Writer-director John Gray digs into his own background to create the ardent and atmospheric White Irish Drinkers. The close, cramped intimacy of this film is so real it stings.
Audience Reviews for White Irish Drinkers
While Brian(Nick Thurston) does not mind accompanying his older brother Danny(Geoffrey Wigdor) on his jewlery robberies, he does draw the line at holding onto a gun for him. Otherwise, Brian uses art to distract himself from his abusive father(Stephen Lang) and his mother's(Karen Allen) idiosyncratic cooking and to meet women like Shauna(Leslie Murphy). For money, Brian works part-time at the moribund Lafayette Theatre where its owner Whitey(Peter Riegert) has just landed the Rolling Stones for a one hour concert which may yet save things. "White Irish Drinkers" is what we mean when we call a movie a mixed bag. On the one hand, you could occupy yourself by playing spot a cliche like brothers heading in opposite directions and incredibly prescient characters in a period piece.(However, one prediction turned out to be wrong since the movie was made.) In other ways, the movie takes full advantage of its time and place, like remembering old movie palaces in a time when New York City, not only Brooklyn, was going to the dogs, forcing many characters to choose between security and any dreams they might have.(What are the chances somebody would be reading the Daily News with the legendary cover, "Ford to NYC: Drop Dead?") To be honest, even if the movie had stopped after Brian's window painting, I would have recommended it, even without all the other cool moments. Plus, everything does neatly dovetail right at the end, rather unexpectedly. That's not to mention the fine work by the young cast, nor my eternal soft spot for Karen Allen.
In Brooklyn in the 70's there's only 2 kinds of people: those stuck there in lower middle class doldrums or those who get out. Although cliched the performances save this trifle about two brothers (one's a crook and one ain't). Stephen Lang does well as the bad parent.
Excellent movie! Refreshing script, excellent acting. I really liked the pace of this movie, and the subtle camera work. Fantastic ending, also, which often seals the deal for me when it come to really good movies. Kudos!
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