Who's Afraid of Virginia Woolf? Reviews
This pitch perfect masterpiece feels like a burning fuse; a bitter and angsty work of genius that is volatile and angry. Mike Nichols' stupendous direction has an omniscience to it that keeps things rolling along with ease.
The two play a college history professor and his wife, who is also the dean's daughter, and we quickly come to know that they are (a) very unhappy and frustrated with one another, (b) highly blunt and sarcastic in expressing this, and (c) functioning alcoholics. The first scene which lasts something like 50 minutes and has a younger professor and his wife (George Segal and Sandy Dennis) coming over to drinks is absolutely stunning. The script and Taylor and Burton's performances are outstanding. Humiliation, flirting with the opposite sex, telling stories and confusing "truth and illusion" to play mind games with the other are the order of the day, and the two serve it up again and again in ways which may make your jaw drop.
The movie is minimalistic in the sense that it only has these four major characters, two extremely minor characters (who briefly appear when they visit a roadside bar), and it all takes place in a single night, mostly in their home. However, the performances are explosive and 'larger than life'. Taylor in particular really put herself out there, because let's face it, putting on weight and acting like a loud, cheap, bully is far more dangerous for a woman than it is for a man. Images of the SNL sketch from a decade later may come to your mind as she munches on a chicken leg and then carelessly tosses the bone back on the plate in the fridge. She is absolutely exceptional, and was worthy of the Academy Award she received. I was also reminded of the power in some of Jennifer Lawrence's recent performances as I watched her, but Taylor takes it to another level. Burton is also fantastic, trying to remain intellectual and appear above it all, but displaying a frustrated rage within and constantly needling all the three of the other characters. When he goes out for the rifle in the garage as Taylor is telling an embarrassing story about him and returns with it, we feel serious tension, and I thought first-time director Mike Nichols did a great job here and throughout the movie.
It loses a teeny bit of momentum towards the middle, and I have to say, the story behind their child, whose apparent death seems to be an explanation for why they've gone a bit kooky, but who has been an imaginary child all along, does not ring true, at least in the emotions it evokes out of each of them. While it's a symbol of an unrealized dream they share, just as Burton's failure to advance in the hierarchy at the college is, to me this is a weakness in the original play. The ending, which as them tenderly resigned to one another despite all that bickering and fighting (and bottle breaking, and choking!), is powerful nonetheless. It's not exactly a feel-good movie, but it's one that will stir you.
The movie looks at one of the more interesting relationships you'll see with a married couple. I have seen a lot of films about volatile relationships and so I can tell this is the OG film of that particular category.
These two are like almost the definition of a love/hate marriage. Richard burton and Elizabeth taylor are electric together. they both have a serious emotional dependence on each other. It's most apparent with Martha while George uses verbal insults and sarcasm to hide his emotional dependence on her. the tension is sort of the driving force here as the clearly have went through more than their fair share in their marriage and have somewhat come across an unpleasant road during their partnership.
Mike Nichols directing debut is phenomenal as he successfully brings to life this play and makes it into a highly charged intriguing picture. The biggest motif in this film are the unravelings the peeling back of layers by all the characters. love the score
this ladies and gentlemen is a raw no holds barred picture. definitely worth checking out