Who's Crazy? (2017)
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A quirky but purposeful grafting of Mack Sennett to the French New Wave.
Thomas White's lost-and-found avant-lulu Who's Crazy? pulses with the newly possible.
The giddy, shambolic activity, certainly avant-garde, maybe even rejuvenating, during the LBJ era, made me restless and irritable ...
White ... bursts the bonds of movie logic to unleash the primal ecstasy of the cinema.
Known for its jazz, it's pretty jazzy itself, and ends up being a more potent tribute to that musical form than a certain recent musical that won a few Oscars.
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