The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Perry's films are shapeless, but they're crammed to bursting with melodramatic twists, the kind that make the audience gasp as they chuckle. The movie's like an old sofa, overstuffed and misshapen, but so familiar that it gives comfort all the same.
Like most of Perry's treasures, Why Did I Get Married Too? seems to have been shot with no script and on a single take; the majority of dialogue overheard at your local mall's food court is leagues more entertaining.
Perry doesn't pander to critics. His intent is to make positive films about black family life. Some filmmakers like to push buttons, like Spike Lee or Lee Daniels. Perry's morals and values, regardless of art, will always come first.
Perry's most obscenely obnoxious, morally bankrupt, and professionally ramshackle film to date. It's appalling in every way, showing a disregard for humankind in a manner that should keep Perry on a therapist's couch, not on a film set.
Finding this occasionally over the top nasty domestic strife entertaining, depends on whether you have a tendency to put your nosy ears closer to the wall when married neighbors squabble loudly, or would rather cover them up for the annoying duration.