The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Mulligan trembles like a souffle on the verge of collapse, and her unfortunate son can do little but watch and listen and do his best to grow up much too fast. Truth be told, it's his story - but it's Mulligan's movie.
Here is a film with much to recommend - and yet the screenplay is just a little too uneven, and from time to time there's an unsettling creepiness and change in tone that seems inconsistent and manufactured, and I was left underwhelmed.
If the drama feels somewhat studied - though it would be more accurate to say that it simply feels thought through - it is never airless or constricted. The story maintains a steady emotional pulse alongside its meticulous accrual of details...
Working from a screenplay he wrote with partner Zoe Kazan, Dano shows not just a keen way with actors but also an alert eye for deceptively charged visuals that combine surface beauty and nagging emptiness.
Carrie Mulligan ignites a blaze in actor-turned-director Paul Dano's moving familial melodrama about a 1960's housewife and mother who can't catch up with the feminist stirrings she feels inside. One word for Mulligan: Wow.
The result is a careful, deliberate, slightly distanced treatment of stormy emotions - but it's appropriate, because the characters are often as not driven not to action but to inaction by their circumstances.