Wind and the Water (2008)
Critic Consensus: No consensus yet.
Machi and Rosy are two native Kuna Yala babies born at the same time but under very different circumstances. Machi grows up in Kuna Yala territory speaking the native tongue and learning the traditional ways of his fishing village. Rosy grows up in Panama City speaking Spanish, wearing matching pink outfits, and sporting dreams of becoming a fashion model. By the time Machi and Rosy are 15, a big development company has the Kuna Yala territories in its crosshairs. The company puts powerful machinations in motion against the community to displace the Indigenous population and build resort hotels on their pristine shores. What the company doesn't know is that the wind blowing through two very special coconut trees creates a powerful force in Machi and Rosy that may prove very difficult for the company to defeat.
There is a bold uniqueness to Vero Bollow and the Igar Yala Collective's filmmaking style, marked by musical rhythms and an energetic fluidity. Precise and simple, The Wind and the Water is an inspirational accomplishment of intergenerational storytelling that radiates rays of warmth, sweetness, and hope. --© Sundance Film Festival
Critic Reviews for Wind and the Water
Plays like a wan workshop pic, but could be the basis for future prospects in a Central American country with little previous moviemaking activity.
Wind and the Water is not an earth-shattering film, but it replays a familiar story in a novel setting and achieves a lyrical intensity.
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