Wings of Desire (1987)
Wings of Desire (1987)
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as Das Strichmädchen
as Der Sterbende
as Marion's coach
as Angel at the library
as Air-raid shelter
as On the highway
as Member of Nick Cave and the Bad Seeds
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Critic Reviews for Wings of Desire
One of the few truly great movies to come out of the '80s.
Audience Reviews for Wings of Desire
An angel falls in love with a human woman and decides to become one of her kind. The inspiration for the Hollywood tear-jerker City of Angels, Wim Wenders's film is decidedly un-Hollywood. Filled with existential reflections and poorly paced, the film is more meditation than plot and story, more philosophical musing than love story. It feels long, though only a little over two hours. Peter Falk, who apparently is an ex-angel, plays himself, and this dash of reality seems incongruent with the fantasy that permeates the rest of the film. Overall, I didn't like either the Hollywood or European version of this story because both seem too far to the ends of extremes.
Dealing with the interconnectedness of the human existence as well as the ethereal quality of dreams and the world of angels, Wim Wenders provides his magnum opus with "Wings of Desire." The film has been lauded for its grasp of different foreign languages, veering from the macabre, and showing the romanticism of the relationship between Damiel and Marion. While a later adaptation dealt primarily with this relationship, "Wings of Desire," at its core, is a film about the experience of being human and not taking it for granted. The world is not shown as being exciting, but instead candid and often beatific. The angels' world is superimposed over the humans', but theirs is a dull gray and white landscape. The humans' is in color and they interact with one another, but in the angels' they can hear the people's thoughts. Oftentimes these thoughts are philosophical and heavy-handed, exactly what a person would think if they were alone. These thoughts are oftentimes sprawling narratives about their lives, their strife and worries about the future. The angels whisper into their ears, picking up their moods by implanting thoughts. One of these angels is named Damiel, who floats around a huge library where other angels nest, and also around the massive city of Berlin. He and his friend Cassiel remark on the virtues of being alive, and all the small things that we never notice in our daily lives. While at a circus Damiel sees a trapeze performer named Marion and follows her around, listening to her dense inner thoughts. She gives these long soliloquies about the state of the world and how she fits into it, which are charming and introspective. Between the amazing visuals, the bleak and yet interesting soliloquies from the people that the angels are listening to, the amazing cinematography, the great performance from Nick Cave and the Bad Seeds, and the bleak Cold War landscape of Berlin, this film is unparalleled in beauty or simplicity. Peter Falk is also a great addition in a strange cameo where he plays himself, with a fictitious background as a fallen angel. Knowing someone is listening to your thoughts may seem terrifying, but when it comes to these guardians and their empathy towards humans, even in their times of need, it's an angelic effort all around.
Daniel and Cassiel are two angels who are assigned to watch over the city of Berlin. It is their job to monitor people and take note of all that occurs, and to help out those in need. Daniel (Bruno Ganz) eventually grows tired of this, and decides to give up immortality to become human so that, no only can he experience life to the fullest, but just life in general, including finding love with a profoundly lonely trapeze artist. Hollywood bastardized this film as City of Angels with Nicolas Cage and Meg Ryan, but even then, that doesn't take away from the fact that this is one of the most beautiful, poetic, and profoundly moving films ever made. It is, basically, Wim Wenders's masterpiece. It is a heavy film, with lots of spiritual and philosophical subtext, but despite being an art film, this deals with things that everyone can relate to, mostly, just trying to escape from an isolated life and make meaningful connections with others. The film is heavily stylized, using both criso momochromatic black and white and bright colors to represent the angelic and human worlds, respectively. The fact that it was also shot in Berlin while the Wall was still up also reinforces the divide between the humans and angels, and it is interesting to see the city from this perspective. My only real complaint is that the film is kinda slow, and maybe a bit ponderous here and there, but overall, this is just a marvelous film, and I'm glad I finally saw it because I really feel like it truly is one of the best films ever made.
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