The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
A work of much playfulness and imagination, Wrong hints at a broader promise of budding, starburst auteurism upon which the film as a whole -- a nice, silly riff that could work better in truncated form -- doesn't fully deliver.
I'll happily jump aboard the "Why Not" train that Quentin Dupieux so emphatically conducts yet again for Wrong, another delightfully absurd film that so many viewers will wrongfully, but understandably, hate.
Dupieux doesn't make films for everyone, but he does craft creative and abstract trips that are more than worth going on, even if they're fantastically difficult to explain to anyone who has yet to join the club.
The story wanders at times and includes interludes that feel like non sequiturs even for a movie hinged on such absurdities, but Dupieux, with the help of Plotnick, has created a unique world of soft chaos and goofy humor.