The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
To anyone more discerning, and certainly to those fans who cherished the way the first two movies took pains to honour what made the X-Men such special mutants, the final blowout will seem like a blown opportunity.
Ratner seems incapable of infusing his overly busy story with nuance, depth or the wonderful wry humor that connected us so thoroughly to these characters in the first place, and so their sacrifices never register.
This is the third film in the series, which means that on three occasions now we've been presented with the same story, featuring the same conflict, leading to the same false resolution, a smiley-happy joining of hands at the edge of an abyss.
[The Last Stand is] by far the daftest of the lot, and the one in which the stars' contractual fatigue is evident in the number of major characters who meet their demise before the first couple of reels are up.
The cleverness of the basic idea, stitched together by credited writers Zak Penn and Simon Kinberg from story arcs in the comics, gets lost in all the commotion, while the characters get reduced to, well, cartoon versions of their former selves.
I liked the action, I liked the absurdity, I liked the incongruous use and misuse of mutant powers, and I especially liked the way it introduces all of those political issues and lets them fight it out with the special effects.
The battle sequences, always the least exciting, most obligatory feature of the first two movies, seem to have something at stake -- namely the lives of the characters. My heart goes out to heroes who believe a summer movie is worth dying for.
... thanks to lowered expectations ... and in a season of economically disastrous disaster movies, the mere fact that this Memorial Day juggernaut is not a catastrophe should spell good news for a depressed industry.