The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It's a strangely talky motion picture that tries to advance several philosophical themes; these would have been more interesting if we weren't already aware of how they will play out in the "future" X-Men trilogy.
McAvoy and Fassbender are a casting triumph. These two have, yes, real star magnetism, both individually and together: They're both cool and intense, suave and unaffected, playful and dead serious about their grand comic-book work.
X-Men: First Class is an uncommonly polished and sophisticated superhero movie in which the characters are so strong you sometimes forget you're watching a story about telepaths and men who can bend steel with their minds.
The notion of a period-piece comic book movie, which could fancifully reshuffle historical episodes, has great potential, but neither the cast nor the filmmakers aim for the sort of period detail that would have made the premise interesting.
The scene where the mutants stand on a beach and mentally duel by causing both American and Soviet missiles to shuttle back and forth in the sky is ... hilarious, I was going to say, but no, I should consider this scene more devoutly.
The result is one of the best Marvel adaptations, packed with action, humor, retro 1960s style that's both campy and sexy and a revisionist history lesson that puts the X-Men at the center of the Cuban missile crisis.
It's remarkable how many things "First Class" gets right, whether it's the decision to have characters speak different languages as the film's frequent globe-trotting dictates, or the casting of Fassbender and McAvoy.