The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
What's striking is the absence of triumphalism -- Bigelow doesn't shy away from showing the victims shot down in cold blood in the compound -- and we come away with the overwhelming sense that this has been a grim, dark episode in our history.
No doubt Zero Dark Thirty serves a function by airing America's dirty laundry about detainee and torture programs, but in its wake, there's a crying need for a compassionate Coming Home to counter its brutal Deer Hunter.
As a hugely compressed account of the Osama bin Laden manhunt, as a compelling but troubling look at "black ops" tradecraft, and as a riveting portrait of a fiercely determined woman working in a male-dominated sphere, the film is a resounding success.
It mixes checkable facts with dramatic license, but "Zero Dark Thirty" has no overweening political agenda. Instead, it unfolds with the cool detachment of a documentary even in its most tense and gripping scenes.
Once in a long while, a fresh-from-the-headlines movie fuses journalism, procedural high drama, and the oxygenated atmosphere of a thriller into a new version of history written with lightning... [Zero Dark Thirty] is that kind of movie.
By showing scenes of torture without taking any kind of moral (as opposed to tactical) stand on what we are seeing, Bigelow has made an amoral movie -- which is, I would argue, an unconscionable approach to this material.
In its narrative arc, it is barely distinct from a boneheaded right-wing revenge picture, but the vibe is cool, brisk, grown-up, packed with impressively real-sounding intel jargon. And the hero is no gun-toting macho man.