Z.P.G. Reviews

  • Nov 09, 2017

    Humorless, rudderless, 70s explosion of a film. I will say I appreciated the general concept, and while this film was obviously on a budget the biggest offender in This to me was the acting. Oliver Reed, bud, did you just need the drinking money? You are so out of it and cold for this entire film. I also had a hard time understanding these women who just needed a damn baby. They were too flat, too obsessive. Too accepting of a natural world they barely knew existed. But again, an interesting concept and a pretty decently built world. Just depends on what you want out of the movie I suppose.

    Humorless, rudderless, 70s explosion of a film. I will say I appreciated the general concept, and while this film was obviously on a budget the biggest offender in This to me was the acting. Oliver Reed, bud, did you just need the drinking money? You are so out of it and cold for this entire film. I also had a hard time understanding these women who just needed a damn baby. They were too flat, too obsessive. Too accepting of a natural world they barely knew existed. But again, an interesting concept and a pretty decently built world. Just depends on what you want out of the movie I suppose.

  • Jun 22, 2015

    good sci-fi suspenser

    good sci-fi suspenser

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    Eric B Super Reviewer
    May 09, 2015

    Somewhere between "2001: A Space Odyssey" and the ignoble invasion of George Lucas and Steven Spielberg, there was a wonderful era of ambitious, heady science fiction. "Z.P.G." is an underachieving relic from that time. Oliver Reed (wasted in a repressed, unemotional role) and Geraldine Chaplin are a couple in a near-future world where dire overpopulation has mandated a 30-year ban on having children. Wannabe parents fill the void with government-supplied, computerized dolls, but you can imagine what an unsatisfying substitute they are. Reed and Chaplin decide to have a baby in secret, but they will be suffocated in a mobile "extermination chamber" if they are caught. The setting is exceedingly bleak -- smiles are rare, and the area population spends most of its time sadly pining for extinct pleasures (not only children, but even animals and plants) through archival movies and museum exhibits. Food is synthetic, and gas masks are required when walking outdoors. The impenetrable smog that is everywhere (even at ground level) seems as much a fictional hazard as just a way to avoid constructing sets -- this movie obviously didn't have much budget. The doll toddlers are hideous and, except for the puzzling overuse of garish saffron sweaters, the costumes are dull and easily ignored. But against all odds, the script does manage to concoct a solid resolution to a seemingly impossible dilemma.

    Somewhere between "2001: A Space Odyssey" and the ignoble invasion of George Lucas and Steven Spielberg, there was a wonderful era of ambitious, heady science fiction. "Z.P.G." is an underachieving relic from that time. Oliver Reed (wasted in a repressed, unemotional role) and Geraldine Chaplin are a couple in a near-future world where dire overpopulation has mandated a 30-year ban on having children. Wannabe parents fill the void with government-supplied, computerized dolls, but you can imagine what an unsatisfying substitute they are. Reed and Chaplin decide to have a baby in secret, but they will be suffocated in a mobile "extermination chamber" if they are caught. The setting is exceedingly bleak -- smiles are rare, and the area population spends most of its time sadly pining for extinct pleasures (not only children, but even animals and plants) through archival movies and museum exhibits. Food is synthetic, and gas masks are required when walking outdoors. The impenetrable smog that is everywhere (even at ground level) seems as much a fictional hazard as just a way to avoid constructing sets -- this movie obviously didn't have much budget. The doll toddlers are hideous and, except for the puzzling overuse of garish saffron sweaters, the costumes are dull and easily ignored. But against all odds, the script does manage to concoct a solid resolution to a seemingly impossible dilemma.

  • May 05, 2008

    A campy and kitschy 70's Sci-fi film that's laughable for all the wrong reasons. It also looks low budget.

    A campy and kitschy 70's Sci-fi film that's laughable for all the wrong reasons. It also looks low budget.

  • Feb 29, 2008

    Cheesy, but still good.

    Cheesy, but still good.