Film Threat - Rotten Tomatoes

Film Threat

All reviews published on Film Threat always count toward the Tomatometer score because it is a Tomato-approved publication.
Rating
Title/Year
Author
1
4/5
2
5/5
Between Us (2013)
3
3.5/5
4
4.5/5
5
3.5/5
Masquerade (2012)
6
2.5/5
7
3.5/5
8
4/5
Barbara (2012)
9
4/5
10
4.5/5
11
3/5
Mama (2013)
12
2/5
13
3/5
Zero Killed (2011)
14
2.5/5
15
0.5/5
16
2.5/5
17
4/5
18
3/5
19
3.5/5
20
3/5
Gut (2012)
21
4.5/5
22
3/5
23
1/5
After Earth (2013)
24
3.5/5
The East (2013)
The movie is constructed and acted so well, you begin to really empathize with the people much as Sarah does and I found myself in similar moral grey areas.
Posted Jun 4, 2013
25
0.5/5
26
4/5
27
2/5

Quote not available.
Posted May 30, 2013
28
4/5
V/H/S/2 (2013)
The scares in V/H/S/2 are totally different and more jump oriented than the eerie, slow builds in the original.
Posted May 9, 2013
29
3.5/5

Quote not available.
Posted May 2, 2013
30
3/5
This fine documentary offers a handsome tribute to an unlikely yet beloved head of state
Posted Apr 25, 2013
31
4.5/5.0
It's a near-perfect portrait of an actor who never became a household name and yet has earned the admiration of generations of filmmakers.
Posted Apr 24, 2013
32
3.5/5.0
Has a remarkably strong ensemble even if it does fall a little flat in the storytelling department and features direction more typical for a TV series than a feature film.
Posted Apr 24, 2013
33
1.5/5.0
Hours (2013)
There's not a scene in Hours that doesn't feel slightly off, whether it's a bad choice of camera angle, awkwardly forced dialogue, or a plot twist that insults intelligence. Pardon the obvious cliché - it's not worth your time.
Posted Apr 24, 2013
34
3.5/5.0
I Am Divine (2013)
A heartfelt, loving homage to its subject, a larger-than-life personality who proved that the traditional roads to fame weren't the only options for a shy, gay Baltimore boy who wanted to be famous.
Posted Apr 24, 2013
35
2.0/5.0
Elena (2014)
This is Elena and Petra's story, and Costa never makes the required effort for it to feel universally relevant or of emotional impact to anyone but their family.
Posted Apr 24, 2013
36
3.5/5.0
Where do battles for creative freedom and the fact that the world is fueled by profit intersect? It turns out that the answer may be The Pirate Bay.
Posted Apr 24, 2013
37
3.5/5.0
Big Joy (2014)
A film that not only makes the case of its subject's talent but, even more importantly, is itself an expression of joy that James Broughton would love.
Posted Apr 24, 2013
38
3.0/5.0
Surprisingly slight, never really developing in ways that expand beyond its concept or continue the conversation it begins in interesting ways.
Posted Apr 24, 2013
39
5.0/5.0
A masterful examination of life, love, regret, secrecy, passion, and the need for two people to retain personal identities along with their identification as a couple.
Posted Apr 24, 2013
40
3.5/5.0
Stoker (2013)
Style doesn't just win out here, it smashes substance like a bug under a shoe.
Posted Apr 24, 2013
41
4.0/5.0
It would be easy to get overly critical regarding the familiar beats of this crowd-pleaser but that would miss the point. It's a funny movie with a great ensemble performance, a sweet heart, and a note-perfect ending.
Posted Apr 24, 2013
42
3.5/5.0
C.O.G. (2013)
Strong performances throughout and a pair of truly stellar ones make the flaws of C.O.G. easier to overlook and it continues to bolster the reputation of Alvarez as a notable young filmmaker worth watching.
Posted Apr 24, 2013
43
3.5/5.0
One wishes a few different decisions had been made, especially during post-production, but no one can deny the originality of a piece that's unlike anything else to play in Park City (or anywhere for that matter) in 2013.
Posted Apr 24, 2013
44
2.5/5.0
The Moo Man (2013)
Heathcote seems to get lost in the marshes with Hook, becoming nearly obsessed with the details of his job to the point that he loses any sense of pacing or storytelling.
Posted Apr 24, 2013
45
4.5/5.0
Darlings feels so alive in every frame, from the clever, crisp dialogue to the smart plotting to the tonal shifts that may seem like imbalances to some critics but feel like jazz music riffs to this one.
Posted Apr 24, 2013
46
4.0/5.0
After Tiller (2013)
They're not heroes and they're not demons. After Tiller is an important reminder of the personal stories of doctors and mothers that can get lost in an issue as divisive as abortion.
Posted Apr 24, 2013
47
2.5/5.0
The movie actually plays not unlike the all-night hallucinatory drug experience that its characters seek - there are some ups and downs but the crash comes long before the sun comes up.
Posted Apr 24, 2013
48
3.0/5.0
Immigration has been a hot-button subject matter for film, especially the kind of doc films that play at Sundance, for years. The problem with Who is Dayani Cristal? is that it simply doesn't add enough to the conversation to make it memorable.
Posted Apr 24, 2013
49
4.5/5.0
[Moreh] asks just the right questions, never prodding these understandably private men too far but getting what he needs.
Posted Apr 24, 2013
50
4.0/5.0
No (2013)
No is a great historical document as to how one very important revolution started with a commercial.
Posted Apr 24, 2013