At the Movies - Rotten Tomatoes

At the Movies

All reviews published on At the Movies always count toward the Tomatometer score because it is a Tomato-approved publication.
Rating
Title/Year
Author
1
3.5/4
The best-looking horror film since Coppola's Bram Stoker's Dracula.
Posted Jan 1, 2000
2
4/4
The screenplay by John Roach and Mary Sweeney finds poetry and truth.
Posted Jan 1, 2000
3
2/4
End of Days (1999)
Movies like this are particularly vulnerable to logic.
Posted Jan 1, 2000
4
4/4
Scorsese is never on autopilot, never panders, never sells out, always goes for broke; to watch his films is to see a man risking his talent, not simply exercising it.
Posted Jan 1, 2000
5
2/4
A cornball drone of greeting-card sentiment.
Posted Jan 1, 2000
6
4/4
A witty, entertaining film.
Posted Jan 1, 2000
7
3/4
Splendid entertainment.
Posted Jan 1, 2000
8
2.5/4
Lacking a heart.
Posted Jan 1, 2000
9
3.5/4
Quote not available.
Posted Jan 1, 2000
10
3/4
Kevin Bacon stars in one of his best performances!
Posted Jan 1, 2000
11
3/4
Happy, Texas (1999)
This is one of those comedies that doesn't pound us on the head with the obvious, but simply lets us share vast amusement.
Posted Jan 1, 2000
12
4/4
The movie is an intelligent a thriller as you'll see this year.
Posted Jan 1, 2000
13
3.5/4
Titus (1999)
This is the film Shakespeare's play deserves, and perhaps even a little more.
Posted Jan 1, 2000
14
3.5/4
One of Denzel Washington's great performances, on a par with his work in Malcolm X.
Posted Jan 1, 2000
15
1.5/4
Doesn't have enough of a boxing story to occupy the running time.
Posted Jan 1, 2000
16
3.5/4
Emmet Ray is a fictional character, but so convincing in Woody Allen's Sweet and Lowdown that he seems like a real chapter of jazz history we somehow overlooked.
Posted Jan 1, 2000
17
3.5/4
Toy Story 2 (1999)
I forgot something about toys a long time ago, and Toy Story 2 reminded me. It involves the love, pity and guilt that a child feels for a favorite toy.
Posted Jan 1, 2000
18
2/4
Crazy in Alabama is an ungainly fit of three stories that have no business being shoehorned into the same movie.
Posted Jan 1, 2000
19
4/4
Three Kings (1999)
It has the freedom and recklessness of Oliver Stone or Robert Altman in their mad-dog days, and a visual style that hungers for impact.
Posted Jan 1, 2000
20
3/4
Flawless (1999)
Quote not available.
Posted Jan 1, 2000
21
2.5/4
Although there are individual scenes of powerful acting, there doesn't seem to be a destination.
Posted Jan 1, 2000
22
3.5/4
Good performances all through the movie.
Posted Jan 1, 2000
23
4/4
Quote not available.
Posted Jan 1, 2000
24
2/4
Assembled from off-the-shelf thriller contrivances, likable characters and utter absurdity, with one of those scores that's the musical equivalent of trying to scrape the burnt meat off the bottom of the pot.
Posted Jan 1, 2000
25
2/4
Miss Julie (1999)
Quote not available.
Posted Jan 1, 2000
26
1/4
Madonna never emerges as a plausible human being in the movie; she's more like a spokeswoman for a video on alternative parenting lifestyles.
Posted Jan 1, 2000
27
3/4
Last Night (1998)
As the final hour approaches for the characters in Last Night, there are moments of startling poignancy.
Posted Jan 1, 2000
28
3.5/4
Reveals itself with the complexity of a novel, holding its themes up to the light so that first one and then another aspect can be seen.
Posted Jan 1, 2000
29
3.5/4
What is most wonderful about Man on the Moon, a very good film, is that it remains true to Kaufman's stubborn vision.
Posted Jan 1, 2000
30
1/4
Quote not available.
Posted Jan 1, 2000
31
2/4
Hanging Up (2000)
The movie doesn't really want to be all that heartbreakingly true.
Posted Jan 1, 2000