H Magazine - Rotten Tomatoes

H Magazine

H Magazine is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer when written by the following Tomatometer-approved critic(s): Brent Simon, Todd Gilchrist
Rating
Title/Year
Author
1
2/5
2
4/5
The Losers (2010)
3
3.5/5
Date Night (2010)
4
5
1.5/5
6
2.5/5
Cop Out (2010)
7
4/5
8
9
The Wolfman (2010)
10
Guaranteed to provide simple, straightforward thrills for anyone seeking temporary distraction from the routine and monotony of a life not lived through the window of a candy-colored automobile.
Posted Apr 14, 2009
11
Watchmen (2009)
Director Zack Snyder's Watchmen is an easy film to admire, but a less easy one to enjoy.
Posted Feb 25, 2009
12
...the film falls flat under the weight of its period-drama conventions and three performances that epitomize paycheck joylessness.
Posted Feb 13, 2009
13
In the pantheon of mob bosses and crime stories, its characters are okay, but they're hardly good fellows.
Posted Feb 11, 2009
14
Notorious (2009)
Notorious manages to convey what made both "Biggie" and Christopher Wallace so memorable, in the process introducing the man and his music to a whole new generation of fans.
Posted Jan 26, 2009
15
The Brothers Bloom manages to be a crowd-pleaser and a career-definer at the same time, with only what crowd and which career yet to be determined.
Posted Jan 23, 2009
16
Revolutionary Road is a very powerful film even if I'm unsure whether or not it's also a very good one.
Posted Jan 23, 2009
17
Happy-Go-Lucky isn't just a film that demonstrates the goodness of humankind, but makes you believe in it as well.
Posted Jan 8, 2009
18
I've Loved You So Long transcends its melancholy subject matter thanks to a terrific, restrained performance from Kristen Scott Thomas which should earn her some attention when time comes to hand out nominations and then awards.
Posted Jan 8, 2009
19
Frost/Nixon (2008)
Frost / Nixon fails to satisfactorily explore its real-life subject matter because it substitutes the more conventional dramatic arc of a three-act storytelling structure for the eminently more powerful weight and intensity of what actually happened.
Posted Jan 7, 2009