Family Instinct (2011)
The Source Family (2013)
Django Unchained (2012)
"The sometimes cartoonish and silly violence serves a purpose: It contrasts the moments of truly disturbing violence that Tarantino puts on display, always within the context of the brutality doled out to slaves at the hands of white masters."
Killing Them Softly (2012)
"A political harangue with the blunt force of a shotgun stock to the temple, couched inelegantly into a generic tale of gangland justice and revenge; yet recognizing and even growing annoyed with its deficiences, I still sort of loved it."
Anna Karenina (2012)
"A sly, deconstructionist approach to Bond combined with a climactic sequence that is hands-down the best, most gorgeously shot, and most breathtakingly thrilling in the franchise's history make this one of the most satisfying and well-made entries."
Holy Motors (2012)
Cloud Atlas (2012)
"A gorgeously shot package that blends the past, present, and future into diverse, lushly imagined realities that at least manage the task of feeling like they're from a single work. If only that work actually succeeded in fulfilling its lofty aspirations."
Wuthering Heights (2012)
"Easily Affleck's best directed film yet, Argo also ticks off a number of boxes on the Best Picture nominee checklist: grand scope, historical basis, uplifting story of human triumph. The movie's great escape sequence goes a little overboard,though."
"Part science fiction, part mob movie, and with a nice infusion of dark comedy at just the right moments, Looper is Johnson's best movie yet, and manages to be hugely entertaining, affecting, and thought-provoking. "
"The cinematic equivalent of a murder ballad: rambling, violent, and more concerned with style and presentation than meaningful character development. Which sounds like a complaint, but in the case of Lawless, is high praise."
Killer Joe (2012)
"Friedkin plays a trick that might be mean if it wasn't so fascinating to see him pull off, blending laugh-out-loud humor with absolutely repulsive images, forcing disoriented and unsettled audiences to wind up laughing when they should be disturbed."
The Dark Knight Rises (2012)
Beasts of the Southern Wild (2012)
"The filmmakers give equal voice to all perspectives, reverential and critical, without ever pulling any punches when it comes to objectively putting on display the group's creepier and more dangerous practices."
Bad Brains: Band In DC (2012)
"The filmmakers get access to a treasure trove of archival footage from the band's early days, but the question of what's going on with H.R., their erratic singer, is the one area of the film that feels frustratingly incomplete. "
"Shooting in what sometimes approximates a semi-inebriated haze, and emphasizing the overlapping of diverse sounds coming from different quarters, Tchoupitoulas almost does manage to transcend the sight and sound limitations of cinema."
Wagner's Dream (2012)
"The first hour here is the most fascinating, as Froemke details the nuts and bolts of getting this massive undertaking off the ground. Once we get past the opening night of the first opera in the cycle, things start to get repetitive."
Virgin Tales (2012)
"Without any real conflict, there's enough story here for 45 minutes to an hour, after which the filmmakers pad it with a brief history of Journey pre-Pineda and scenes from the tour and Pineda's new life; a passable feel-good doc, but not very memorable."
Monsieur Lazhar (2012)
Marvel's The Avengers (2012)
"Whedon delivers a thoroughly entertaining compilation of the best of these heroes while never hiding either his giddy love for the characters or the wry wit that has formed the bedrock of his career."
Dark Shadows (2012)
"Unfortunately, Burton abandons a promisingly quirky first half approach & undermines a hugely enjoyable Depp performance with an effects-heavy, action-packed second half that's neither funny nor thrilling, and mostly just boring. "
J. Edgar (2011)
Better This World (2011)
Hell and Back Again (2011)