La Nación (Argentina)

Tomatometer-approved publication
Rating Title/Year Author
() María Fernanda Mugica A great portrait of a taxi driver from Rosario. [Full Review in Spanish] EDIT
Posted Apr 19, 2019
The Curse of La Llorona (2019) Paula Vázquez Prieto The film is without any real darkness that appears in the interstices of La Llorona's tireless hunt. [Full Review in Spanish] EDIT
Posted Apr 18, 2019
En guerre (2018) Alejandro Lingenti Stephane Brizé tells this story with a functional production design and with tension dominating throughout. [Full Review in Spanish] EDIT
Posted Apr 18, 2019
() La Nación (AR) Staff A beautiful portrait of one of the most influential and enigmatic personalities in history. [Full Review in Spanish] EDIT
Posted Apr 18, 2019
Vox Lux (2018) Diego Batlle Vox Lux is filled with excess, but it never loses your attention. [Full Review in Spanish] EDIT
Posted Apr 18, 2019
Man on Fire (2004) Fernando Lopez A film that ends up being tedious due to its excessive duration, annoying by its formal lack of control. [Full Review in Spanish] EDIT
Posted Apr 17, 2019
Fighting With My Family (2019) Diego Batlle Some may view this film as a promotional vehicle for the WWE and effectively it is, but who cares if it does it with the purest weapons of popular cinema. [Full Review in Spanish] EDIT
Posted Apr 11, 2019
Claire Darling (La dernière folie de Claire Darling) (2018) Diego Batlle A tough film, without demagogies or contemplations and with the benefit of seeing Deneuve and Mastroianni repeating on the screen the relationship they maintain in real life. [Full Review in Spanish] EDIT
Posted Apr 11, 2019
The Aftermath (2019) Paula Vázquez Prieto The house becomes a small map of the city with its forbidden zones, its retired paintings, and its spaces that hold awaited reunions. [Full Review in Spanish] EDIT
Posted Apr 11, 2019
Hellboy (2019) Marcelo Stiletano Harbour does everything he can to accommodate a character who can not get rid of Ron Perlman's presence. [Full Review in Spanish] EDIT
Posted Apr 11, 2019
After (2019) Natalia Trzenko This film is closer to Twilight that the perfect comedy of manners from Austen or the romantic tragedy from Brontë. [Full Review in Spanish] EDIT
Posted Apr 11, 2019
Wonder Park (2019) María Fernanda Mugica Wonder Park has the ambitions of a children's film that tries to combine fun with profundity, but doesn't succeed. [Full Review in Spanish] EDIT
Posted Apr 11, 2019
() Adolfo C. Martinez Directors Fabio Junco and Julio Midú successfully narrate with a poetic lens. [Full Review in Spanish] EDIT
Posted Apr 11, 2019
Shazam! (2019) Diego Batlle A lighthearted film, a bit superficial, but innocent that flows with enough grace for an enjoyment without too many demands. [Full Review in Spanish] EDIT
Posted Apr 8, 2019
Pet Sematary (2019) María Fernanda Mugica The cleaning and updating of some narrative elements effectively reinforce the focus on the central theme. [Full Review in Spanish] EDIT
Posted Apr 8, 2019
At Eternity's Gate (2018) Paula Vázquez Prieto Schnabel achieves - with a Willem Dafoe in his best form - to materialize in the errant movement of his character the experience of a time that never belongs to him, of an environment that expels him. [Full Review in Spanish] EDIT
Posted Apr 8, 2019
() Diego Batlle In 4x4, Lanzani establishes himself as one of the most ductile actors of his generation. [Full Review in Spanish] EDIT
Posted Apr 8, 2019
() Alejandro Lingenti This documentary serviced by Yvonne Pierron's memories, diverse testimonies and great archival footage lends a proper tribute to the work of the French nun. [Full Review in Spanish] EDIT
Posted Apr 8, 2019
Captive State (2019) Hernán Ferreirós The film finds a credible way to tell the story of a global conquest. [Full Review in Spanish] EDIT
Posted Apr 8, 2019
Mary Queen of Scots (2018) Diego Batlle The result is an unquestionable film in its visual and clearly revisionist imprint in its approach to Mary Stuart's story, although not too innovative. [Full Review in Spanish] EDIT
Posted Apr 8, 2019
The Aspern Papers (2018) Paula Vázquez Prieto Landais doesn't hesitate to unearth the past and despite some uneven results, succeeds. [Full Review in Spanish] EDIT
Posted Apr 8, 2019
Belmonte (2018) Javier Porta Fouz Veiroj shows that his cinema has personality, nothing less: security and stylistic aplomb to evidence doubts, narrative fluidity to develop characters in the midst of obstacles and impossibilities. [Full Review in Spanish] EDIT
Posted Apr 8, 2019
Dumbo (2019) Diego Batlle It is clear that Dumbo flies, but at a cruising height: away from the artistic peaks. [Full Review in Spanish] EDIT
Posted Apr 5, 2019
The Old Man & the Gun (2018) Diego Batlle A film that is almost never made anymore, but thank goodness there's still a few. [Full Review in Spanish] EDIT
Posted Mar 25, 2019
Us (2019) María Fernanda Mugica The best thing about Us is not that thematic ambition, but its aesthetic grandiloquence, its disturbing climates and the way in which it abandons realism until it is forgotten. [Full Review in Spanish] EDIT
Posted Mar 25, 2019
3/5 Ruben Blades is Not My Name (2018) Diego Batlle Blades's brilliant trajectory doesn't need this type of pat on the back. [Full Review in Spanish] EDIT
Posted Mar 21, 2019
Maria by Callas: In Her Own Words (2017) Adolfo C. Martinez This beautiful portrait of Maria Callas is an homage to her trajectory that time would not be able to erase. [Full Review in Spanish] EDIT
Posted Mar 20, 2019
() María Fernanda Mugica Foto Estudio Luisita is moved by the love and respect that flows throughout its development. [Full Review in Spanish] EDIT
Posted Mar 18, 2019
Bedoone Tarikh, Bedoone Emza (2017) Diego Batlle Javilvand maintains ambiguity, tension and multiple nuances. [Full Review in Spanish] EDIT
Posted Mar 18, 2019
The Prodigy (2019) Paula Vázquez Prieto The film manages to install a climate of terrifying concern in the relationship between mother and child. [Full Review in Spanish] EDIT
Posted Mar 18, 2019
Five Feet Apart (2019) María Fernanda Mugica Unfortunately, Haley Lu Richardson's charm and Cole Sprouse's presence aren't enough to distract from the accumulation of cliches. [Full Review in Spanish] EDIT
Posted Mar 18, 2019
() Alejandro Lingenti A light humor, some dreamlike atmosphere and references tinged with irony to the blunders of religious beliefs nuance a dense story and connect it with a certain tradition of Italian cinema. [Full Review in Spanish] EDIT
Posted Mar 18, 2019
() Alejandro Lingenti The whole cast works coordinated and secure in the same register, and that is, without doubt, one of the major strengths of the film. [Full Review in Spanish] EDIT
Posted Mar 18, 2019
3/5 () Diego Batlle Emotive and inspiring documentary about the creative process of artists with Down Syndrome. [Full Review in Spanish] EDIT
Posted Mar 18, 2019
() Diego Batlle The film proposes an introspective, catartic and restorative exercise to later become an exaltation of the struggle undertaken by the broad feminist movement. [Full Review in Spanish] EDIT
Posted Mar 10, 2019
() Adolfo C. Martinez A warm and deserved homage [Full Review in Spanish] EDIT
Posted Mar 10, 2019
On the Basis of Sex (2018) María Fernanda Mugica When the film concentrates on the case with which Ginsburg achieved success, it acquires greater nuances and exploits its best facets. [Full Review in Spanish] EDIT
Posted Mar 7, 2019
() María Fernanda Mugica The mise-en-scene in this film stands out and is extremely effective in portraying the tension and violence that emanate from the story. [Full Review in Spanish] EDIT
Posted Mar 7, 2019
Captain Marvel (2019) Diego Batlle Beyond the praiseworthy change of paradigm, Captain Marvel is a pretty classic bet and in certain aspects conventional. [Full Review in Spanish] EDIT
Posted Mar 7, 2019
() Adolfo C. Martinez A warm and inviting film that portrays the necessity to triumph through telluric dance. [Full Review in Spanish] EDIT
Posted Mar 1, 2019
() María Fernanda Mugica An exceptional portrait of journalism, psychoanalysis and literature. [Full Review in Spanish] EDIT
Posted Mar 1, 2019
Serenity (2019) Javier Porta Fouz Serenity could have been a celebration of the genre, but instead it just tries to pull off twist after twist. [Full Review in Spanish] EDIT
Posted Feb 28, 2019
King of Thieves (2018) Javier Porta Fouz Michael Cane is precise, convincing and the best part of this film. [Full Review in Spanish] EDIT
Posted Feb 28, 2019
Heilstatten (2018) Paula Vázquez Prieto There isn't much innovation, but it convincingly explores contemporary insanity. [Full Review in Spanish] EDIT
Posted Feb 28, 2019
Border (2018) Hernán Ferreirós Border argues that the full integration of the other is not always possible, that the existence of another involves living with differences that are not going to be filed. [Full Review in Spanish] EDIT
Posted Feb 28, 2019
Eternity (2018) Alejandro Lingenti Eternity is a story crossed by the weight of the old age, more pressing when there is no one who collaborates to alleviate it at least a little. [Full Review in Spanish] EDIT
Posted Feb 28, 2019
3/5 () Diego Batlle Cohan wasn't interested in making a pure genre film ant the film suffers for it a bit. [Full Review in Spanish] EDIT
Posted Feb 28, 2019
() Alejandro Lingenti The film is serious and constructive never getting close to being banal or sensationalist. [Full Review in Spanish] EDIT
Posted Feb 26, 2019
Capernaum (2018) Paula Vázquez Prieto Both the oppressive family context of Zain as his journey after the abandonment of his home suffer from a complex look, lie in provocations, and point out responsibilities that end up being fallacious and limited. [Full Review in Spanish] EDIT
Posted Feb 25, 2019
Noces (2016) Javier Porta Fouz A Wedding successfully develops its thematic nucleus in the comparisons between Zahira's family and her friend Aurore's. [Full Review in Spanish] EDIT
Posted Feb 25, 2019